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Creating and Fear
In the creative process, fear is inescapable. We meet its various shades
upon entering unfamiliar territory. At its best, fear will act as a
friend, jumpstarting dreams to create beneficial reality. But it has
other manifestations too. It can stop us in our tracks. Or, when out
of control, it can distort reality in harmful ways. Last fall, election
season prompted me to sit with Jane Mayer’s book “The Dark Side.” The
narrative winds a fact-filled path through the bowels of the George
W. Bush administration’s war on terror since the tragedy of September
11th, 2001. It may seem odd to use election season to illustrate the
central role that fear plays in the creative process. But then again,
everything is connected. So I’m going to give it a try.
Defense against terror and political agendas were not the only motivators
in the subversion of our constitution after the shattering events of
9-11. Fear played a central role. The American people, including our
leaders in the White House, were afraid--understandably so. However,
as evidence shows, the criminality of 9-11 had no links in reality to
justify creating a war with Iraq. In fact, the mission to destroy the
real Al Qaeda perpetrators in Afghanistan was squandered. The Iraq War
was born of previous agendas, ignorance and fear.
In a posture of intense reaction, Bush administration lawyers wrote
new U.S. laws in violation of the First Amendment and Geneva Conventions,
blatantly attacking our democracy and founding principles. Vice President
Cheney at the helm, they charted a course through which the executive
branch of our government could sail beyond all checks and balances—to
maneuver with no restraint, outside the law. We witnessed the unjust
and chaotic war in Iraq that followed, along with torture and repression.
We are still recovering from enormous loss of respect for America abroad.
As history bears out, creative action driven by fear-driven reasoning
has created the worst and bloodiest miscarriages of justice known to
humankind. Committed not by tyrants alone, but by otherwise honorable
people, insidiously bound to a tragic illusion--that the ends justify
the means. Rigid ideological thinking is intoxicated blindness. At best,
the beholder is tragically unaware that his actions have come to mirror
what he strives to defeat. At worst, the powerful consciously manipulate
the fear of their populations to monopolize power. Perhaps what happened
in the Bush administration is a combination of both. "The Dark Side"
is a riveting journey through the abuse of power. It’s an astute, expert
witness to the "slippery slope" that our American (and world) history
makes clear, when we look.
One night, with chills up the spine and hairs on end, I bolted from
my reading chair. I could take no more, so I tripped the TV switch to
flee. Opening credits for “The Life of John Adams” documentary were
rolling. Ironic escape.
The great legacy of John Adams, second president of the United States,
includes a dark chapter of his Federalist Party rule. Fearing the rising
influence of Thomas Jefferson’s Democratic-Republican Party, he signed
into law the Alien and Sedition Acts of 1798. The acts severely undermined
civil liberties: provided unlimited powers of deportation, and criminalized
those who publicly criticized the federal government. In contravention
of the First Amendment, many newspaper editors and others (including
a congressman) were imprisoned for several years and fined thousands
of dollars. Federalists defended the acts as intended to protect the
United States from alien citizens of enemy powers (Britain and France)
and to stop rebellious attacks from weakening the government.
But historians claim (as did many citizens of the time) that the acts
were unconstitutional, and designed to repress criticism of the Adam’s
administration. The documentary proceeded to note further mishaps of
intervening years--Roosevelt’s internment in the 1940s of Japanese Americans
in the wake of Pearl Harbor; McCarthyism in reaction to Communism in
the 1950s; and Nixon’s Watergate of the 1970s. Escape would not oblige.
Instead, I found myself headlong into to the dark side of creating--a
theme we experience along broad global lines, and along the seams of
our daily lives.
How can we keep fear from steering our creative process down hazardous
slopes? This question could likely be answered in many competent ways,
and meaningfully. But one key phrase keeps jumping to mind: action vs.
reaction.
In reaction, fear has taken the lead. Worse, the anatomy of our fear
eludes us, so true understanding of our position as it relates to the
situation is lacking. Accordingly, reactive fear and opposition will
tend to build. In reaction, fate might smile to create a positive outcome,
but we increase the odds that it won’t.
In action, on the other hand, we explore the anatomy of our fear and
discover our true position as it relates to the situation. We reflect
enough to ease the fear into the back seat. Fueled by understanding,
our actions will tend to reduce fear and opposition. In action, fate
may operate to create disappointment, but we increase the odds that
it won’t. With time, patience and genuine understanding, our actions
will produce positive results.
It’s unsettling to visit creative abuses of American power. But to recognize
that our founders crafted a cauldron for holding these sad reflections
is deeply moving. In writing our constitution, the framers incorporated
wisdom gained from the flames of their European history. They knew all
too well the scorched earth left in the wake of tyrants. Their masterpiece
endures, providing us with freedom to check our intentions and, most
importantly, the freedom to correct ourselves. In the coming weeks and
years, we will be grappling not only with the question of fear as related
to our personal creative lives, but also as related to our country as
a whole.
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